I am not convinced with the artist's argument that an artist should stay neutral or apathetic of trends, notions and practices in the art world. What's even more bewildering is his contention that no philosophy influences him and his creativity springs forth from an apolitical life... has culture, religion, mythology, capitalism, feminism, or post-modernism wielded nary an influence on him and his vision? In a departure, Atul Dodhiya does heap praises on artists from Europe, America and the Modernists of India.
I am not convinced with the artist's argument that an artist should stay neutral or apathetic of trends, notions and practices in the art world. What's even more bewildering is his contention that no philosophy influences him and his creativity springs forth from an apolitical life... has culture, religion, mythology, capitalism, feminism, or post-modernism wielded nary an influence on him and his vision? In a departure, Atul Dodhiya does heap praises on artists from Europe, America and the Modernists of India.